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Most of the scenes consist of Guccis yelling at other Guccis — in Milan and New York, amid the Alps and near a lake, in hotels and conference rooms and villas and cafes. The shouting, in heavily accented English, lasts from the early ’70s to the mid-90s, and you can tell what year it is by scrutinizing the clothes and haircuts. For a while it seems like the music cues (David Bowie, Eurythmics) might also help, but at some point in the ’80s the playlist gets scrambled. The Times is committed to reviewing theatrical film releases during the COVID-19 pandemic. Because moviegoing carries risks during this time, we remind readers to follow health and safety guidelines as outlined by the Centers for Disease Control and Prevention and local health officials. Maurizio marries Patrizia Reggiani [Lady Gaga, in the film] and moves to New York to work with his uncle Aldo and live the high life.
Movie Info
Production of leather goods resumed after World War II, and Gucci’s son Aldo introduced the pigskin, which became a signature house material. The first bamboo-handled bag, inspired by the shape of a saddle, is thought to be produced in this period. Adam Driver is relatively restrained as Maurizio, who as a law student meets Patrizia Reggiani at a party, where she charmingly mistakes him for a bartender. She comes from a less exalted family — her father owns a small trucking company — and she is played by Lady Gaga with the verve of an Anna Magnani avatar in a Super Mario video game. Jacqueline Kennedy is reported to have bought a Gucci luggage set before her wedding to Aristotle Onassis.
Film Credits
Adam Driver’s character Maurizio is sent to New York to work with his Uncle Aldo and establish a line of succession. Maurizio’s cousin Paolo, played with gusto by Jared Leto, is fired and then tries to start a line of his own, which sets off a string of lawsuits, not to mention a sub-drama that would eventually lead to Paolo’s father Also being indicted and jailed for tax fraud. His father, Aldo, had given 10% of his 50% stake in the company to his three sons, allocating 3.3% to each of them. When Paolo aligned his interest with Maurizio’s 50%, he tipped the scales to begin the process that ultimately led to the family no longer owning the company. In the years since her release, Reggiani seemingly can’t help but find her way back into the spotlight. In 2014, she said, “I still feel like a Gucci — in fact, the most Gucci of them all.” She also recently expressed dismay to the Italian press over the fact that Lady Gaga had not reached out to speak to her prior to filming.
Review: Lady Gaga brings down the ‘House of Gucci’ in Ridley Scott’s lavish couture-clash drama
Played by Lady Gaga and Adam Driver, Patrizia and Maurizio are part of a constellation of characters in the movie, which also includes Maurizio’s father, Rodolfo (Jeremy Irons), his uncle Aldo (Al Pacino) and cousin Paolo (Jared Leto), among others. A fierce Lady Gaga leads the pack in an uneven performance, portraying Patrizia Reggiani—an assertive young woman from limited means who falls in love with and marries Maurizio Gucci (a disproportionately subdued Adam Driver), the dreamboat scion of the fashion house. When Patrizia gets rejected by shy Maurizio’s traditional and haughty father Rodolfo (Jeremy Irons)—he quietly shames Patrizia’s lack of cultural finesse—she finds a welcome ally in Uncle Aldo (Al Pacino). He is the quality and class-insistent Rodolfo’s calculating brother, with a commercialist attitude that differs from his sibling’s when it comes to reviving Gucci’s flailing image in the ‘70s and rising above the brand’s whispered-about financial hardship.
On the morning of March 27, 1995, Maurizio was shot multiple times outside of his office in Milan. He died on the steps of the building in the arms of Giuseppe Onorato, the doorman and only witness to the shooting, who himself was shot. Patrizia was not arrested until 1997, two years after his murder, after police detectives received an anonymous tip. It was later discovered that on the day of Maurizio’s murder, Patrizia wrote one word in her diary, “paradeisos,” Greek for paradise.
Furniture within the store includes Gucci Décor velvet armchairs and sofas, as well as shaggy wool monochrome rugs, creating intimate corners that mimic the comfort of a lavish home. These elements are strategically designed to make the shopping experience both exclusive and inviting. Designed to create an atmosphere of opulence and comfort, the store's interior incorporates elements inspired by historic architectural designs. The boutique features marble flooring with geometric patterns, clean lines, and a palette of understated tones that enhance the luxurious feel of the space.
What's Fact and What's Fiction in House of Gucci? - Vulture
What's Fact and What's Fiction in House of Gucci?.
Posted: Thu, 25 Nov 2021 08:00:00 GMT [source]
Emma Stone would like to be called by her real name, if you don’t mind
The Romanian actress plays Sophia Loren, an Italian actress who often wore Gucci. The Eternals actress plays Pina Auriemma, who has often been described as Patrizia Reggiani's "clairvoyant friend." Not even Patrizia Gucci,’ Lady Gaga said of her decision not to meet the formerly imprisoned heiress.
Patrizia Reggiani (Lady Gaga)
The Gucci fashion house began as a luxury luggage brand founded in 1921 by Guccio Gucci. Guccio was inspired to create his business after a stint working as a bellhop at The Savoy Hotel in London and a gig working for an upscale train travel company. Guccio opened his first shop in Florence in 1921, offering fine leather luggage and accessories, as well as leather goods for horsemen. Guccio’s small shop soon blossomed into a booming family business with many shops in different cities and countries, especially after four of his sons (Vasco, Aldo, Rodolfo and Ugo, who was Guccio’s adopted stepson from his wife’s previous relationship) began working with him. Following Guccio’s death in 1953, shares of the business were left to his three biological sons, Vasco, Rodolfo and Aldo.
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Italian police search Maurizio's, attempting to arrest him for forging Rodolfo's signature. His family flees to Switzerland, where Maurizio meets his old friend Paola Franchi. After an argument between Maurizio and Patrizia, he decides he is tired of his wife's influence on himself and the company. He orders his wife and daughter to return to Italy and begins an affair with Paola, which Pina seemingly senses. Patrizia devises a plot to obtain controlling interest in Gucci by acquiring some of Aldo and Paolo's shares (the other 50%).
Much of the remaining cast joined the following summer, and filming began in Italy, lasting from February through May 2021. This new boutique at Dadeland Mall not only enhances Gucci’s presence in the luxury market but also solidifies Miami as a premier destination for high-end shopping and fashion. Visitors to the mall can expect an immersive shopping experience that highlights the best of Gucci’s offerings in an environment that reflects the brand’s prestigious legacy.
The production of the film did not bother to consult the heirs before describing Aldo Gucci – president of the company for 30 years – and the members of the Gucci family as thugs, ignorant and insensitive to the world around them, attributing notes to the protagonists, events, tones and attitudes that never belonged to them. This is extremely painful from a human point of view and an insult to the legacy on which the brand is built today. Variety reported via an anonymous source that despite the severe statement, the Gucci family is not seeking legal action against Scott’s production company or Warner Bros. While the story is based on real people and events, a few elements were changed for the film—intentional choices on the part of Bentivegna, who drew inspiration for the screenplay from flashy films like Sunset Boulevard, Scarface and The Godfather. When Patrizia Reggiani, an outsider from humble beginnings, marries into the Gucci family, her unbridled ambition begins to unravel their legacy and triggers a reckless spiral of betrayal, d...
In a movie that delights in its own counterfeit charms, she is very much the real deal. Although it too focuses on an outsider who makes the mistake of fancying themself an insider, “House of Gucci” doesn’t have that earlier movie’s blistering nihilism. It’s a fashion show, figuratively and often literally, and its cutthroat dynamics are lightened with heavy dollops of foam and froth.
Unsurprisingly, visual design is how “House of Gucci” leaves its strongest impression. Perhaps more impressively, the designer’s impeccable suiting (made mostly bespoke by a NY-based tailor, with additional pieces by Ermenegildo Zegna) brings out the neatly combed Driver’s masculine elegance in a way no film ever has. The film was adapted from journalist Sara Gay Forden’s 2001 nonfiction book of the same name, which chronicled the sensational real-life story of the fabulously wealthy Gucci family’s rise and fall as one of fashion’s most prominent dynasties. The tale, which includes Succession-esque rivalries between family members, multiple lawsuits, tax evasion, incarceration and, of course, murder, provided ample creative fodder for Scott and screenwriters Roberto Bentivegna and Becky Johnston.
If “The Godfather” and “Succession” had an ostentatious lovechild, it would look something like Ridley Scott’s “House of Gucci,” the master’s sweeping yet wildly imbalanced rendering of the titular and celebrated fashion empire’s scandalous history, full of backstabbing, betrayal, greed, and even murder. In November 1998, Patrizia was convicted of premeditated murder and sentenced to 29 years in prison, although she only ended up serving 18. Patrizia could have had a shorter tenure in Milan’s San Vittore prison, where she notably was allowed to have a pet ferret, and was eligible for parole in 2011, but she refused, opting to stay in jail, as opposed to joining a work-release program.
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